After a lengthy recovery, the artist comes back with the most vigorous work he’s made: “It took me a really long time to understand what had happened to me.”

Painting will not stop missiles. Music will not end suffering. But culture is not powerless — and a visit to Ukraine reaffirmed what it can do at its best.

An ambitious survey of the life and art of Raphael Montañez Ortiz is at El Museo del Barrio. His work still feels subversive more than half a century after he founded the museum.

The Met surveys Bernd and Hilla Becher, who turned Machine Age monuments into alluring collectibles.

The climate crisis is inspiring — and requiring — new perspectives in thinking for the London gallery, starting with “Back to Earth.”

Historians have relied on Herman Heukels’s pictures of Jewish persecution in World War II, but it’s not widely known that the Dutch photographer shot them as Nazi propaganda.

Glyn Philpot’s sensitive portraits of Black subjects, unusual for the early 20th century, were given updated titles — and consideration — for a recent exhibition in England.

The artist is selling NFTs, designing Nikes, exploring outer space (sort of) and uncorking three concurrent shows in Seoul.

Kurian at 47 Canal.

A wide-ranging show at the Drawing Center takes on frills, arabesques and the complicated legacies of cultural appropriation.